Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made out in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for that unrest? Katniss. And what's worse, President Snow has managed to get clear that no-one else remains safe and secure either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one of the most mentioned books in the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from your start that The Hunger Games story was intended as being a trilogy. Did it genuinely end the strategies by which you planned it from the beginning?

A: Very much so. While I didnrrrt know every detail, of course, the arc of the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant throughout the writing process.

Q: We understand you worked around the initial screenplay for the film to be according to The Hunger Games. What may be the biggest distinction between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you're adapting a novel in a two-hour movie you can't take everything with you. The story has to become condensed to fit the new form. Then you have the question of how best to adopt a magazine told within the first person and offer tense and transform it in a satisfying dramatic experience. In the novel, you never leave Katniss for any second and so are privy to any or all of her thoughts so you will need a method to dramatize her inner world and to generate it possible for other characters to exist outside her company. Finally, there is the challenge of the way to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A lots of situations are acceptable on a page that wouldn't be on the screen. So how certain moments are depicted will ultimately be inside director's hands.

Q: Do you believe you're able to consider future projects while working on The Hunger Games, or are you immersed inside the world you're currently creating so fully that it is just too hard to take into consideration new ideas?

A: We've several seeds of ideas boating within my head but--given a great deal of of my focus continues to be on The Hunger Games--it is going to be awhile before one fully emerges and I can commence to develop it.

Q: The Hunger Games is an annual televised event through which one boy and one girl from each of the twelve districts is forced to participate inside a fight-to-the-death on live TV. Exactly what do you think that the appeal of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an fascination with seeing who wins. The contestants are generally unknown, which makes them relatable. Sometimes they have very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I have found very disturbing. There's also the possibility for desensitizing the audience, to ensure after they see real tragedy playing out on, say, the news, this doesn't happen hold the impact it should.

Q: In case you were expected to compete inside Hunger Games, exactly what do you believe your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I utilized to be trained in sword-fighting, I guess my best hope will be to obtain hold of the rapier if there was one available. But the truth is I'd probably get about a four in Training.

Q: What does one hope readers should come away with once they read The Hunger Games trilogy?

A: Questions about how elements from the books might be relevant in their own lives. And, if they are disturbing, whatever they might do about them.

Q: What were some of your favorite novels when you are a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but this time it can be for world control. While it is a clever twist on the original plot, this means that there is less focus about the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life into a less vibrant Katniss by displaying despair both at those she feels in charge of killing and at her own motives and choices. This is definitely an older, wiser, sadder, and intensely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn of the rebels as well as the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are very evidenced in the voice, which goes from rage to puzzlement for an unsure resume sweetness. McCormick also helps to produce the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and different challenges of each and every of the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.